Twentieth-century Theatre
نویسندگان
چکیده
Downloaded: 30 May 2012 IP address: 148.88.176.155 In his excellent introductory essay, Mayer not only discusses the theatrical history, nature, and function of the plays, but also their ideological significance both in Britain and America. He sees them as a response to many of the cultural and social anxieties of the age: the crisis of religious faith, the rise of feminism, the emergence of class conflict, fear of mass immigration, anxiety about the future of the Empire. He also traces the close link between the stage and the nascent Hollywood film industry, making it clear that it is impossible fully to appreciate the latter without reference to the former. Both Mayer and Katherine Preston, who contributes an informative essay on the music of the toga play, make it clear that theatre has to be seen as integral to a common culture, informed by a shared set of images and ideas, with toga plays borrowing their plots from popular novels, their visuals from well-known paintings (AlmaTadema, Leighton), and their music from the works of Gounod, Meyerbeer, and Luigini. This collection is invaluable for anyone seeking to understand and interpret popular drama in the late-Victorian and Edwardian periods as also the links between theatre and cinema.
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